This will help you envision what you want to make out of your live performance, and inspire new ways of looking at things. In this article, I am going to go over some basics of live performance with Ableton Live. Ableton Live gives musicians an easy way to envision their live set and add as much simplicity, or complexity as they would like.

IвЂ™ve used Ableton Live since 2005, starting with version 3, for live. One fantastic thing about Ableton Live is that itвЂ™s a remarkably stable program if used right. The worst thing that can happen to a live performer using a computer is a complete onstage crash. 90-Day 100 Satisfaction.5 Tips On Optimizing Ableton LiveвЂ™s Performance During A Live Set. There are two main parts to Live: the Arrangement View and the Session View.Well beat any price for the AKAI APC40 MKII - Ableton Live Performance Controller 110 BEST PRICE + FREE SHIPPING 1-Yr Warranty. That largely has to do with the way Live lets you construct tracks and play with audio in real time.

MIDI Channel Routings: it is now possible to route MIDI to and from Max for Live audio effects and instruments. You can also now access slices of a sample loaded in Simpler, a clip or sampleвЂ™s warp markers, and much more. New API Additions: a redesigned, MPE-compatible note API gives Max for Live access to Live 11вЂ™s new note features вЂ” probability, velocity deviation, and release velocity. WhatвЂ™s more, all of the loop-/riff-based arrangement options are still available on the timeline, so you can continue to edit and build on your song, even after you record it to the Session View. And when you record your progression to the linear Arrangement View, you add the possibility to record lead lines and other performances that fall outside the rest of the song structure.

Performance Improvements: a complete overhaul of Max for LiveвЂ™s user interface integration means a smoother experience when working with Max for Live devices, including improvements to focus, positioning, scrolling behavior, and performance. A new Max for Live category in the Inspector Window allows developers to more clearly indicate which systems their devices can be used on, and much more. Double-clicking an error in the Max Console jumps the cursor to the device causing the error. Improvements for Device Creators: a new live.scope object adds an oscilloscope to the object library.

The Freeze function captures and holds audio. Spectral Time: transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted, and reverb-like effects. Hybrid Reverb: combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality. Created in collaboration with Spitfire Audio. String Quartet: a great starting point for sonic exploration, this combination of two violins, viola, and cello has a sound that is immediately intimate. Created in collaboration with Spitfire Audio.

Created in collaboration with Dillon Bastan. Inspired by Nature: six playful instruments and effects that use natural and physical processes as their inspiration. Play it like an instrument with MIDI.

MPE-capable Native Devices: Wavetable, Sampler, and Arpeggiator now support MPE. Add subtle expression variations, morph between chords, and create evolving sonic textures. MPE Compatibility: add bends, slides, and pressure for each individual note in a chord. Linked-track editing: link two or more audio or MIDI tracks to edit or comp their content simultaneously. Combine the best of many takes or find creative new combinations.

Randomized Macro Values: randomize the state of your Macros or map the randomization button to MIDI. Variable Macros: set your Racks up to have between one and 16 Macros. Macro Snapshots: store the state of Macros for later recall вЂ” this is a fast way to create instant variations to sounds or builds and drops during a performance.